Have we posted this before? Maybe, but it’s worth watching again: John Cleese’s wonderful talk on creativity (circa 1991 (?), and found on the Google+ profile of The IT Crowd creator Graham Linehan). It’s about a half-hour long, but you can play it in the background.
By Chaatu Bhagat
Prologue
There are three types of literate people in India - those who read at a subsistence level, those who read to have something to talk about with their society friends, and the illiterate.
I was writing a book for the fourth kind, a market that no one had ever bothered to look up, or even realized had ever existed - those who read because they can’t watch TV right at that moment. These people don’t really want to read a book, they just want something to hold and look at while they ride their trains and buses to office or something. Calling this literature would be like calling Shatabdi music, music. If someone would make these books easier to read than the menu of the average college canteen, they could be rich!
I’m surprised no one thought of this racket sooner.
I waited for inspiration to strike me as I waited in an empty train waiting at Kanpur Junction. It was midnight. I looked out of the filthy plate glass windows out at the filthy platform. India truly is a dirty, filthy place, I thought to myself (pondering over such intricities of life like authors usually do) with so much muck all over the place and no one bothering to clean it up, and even the people look so dirty and grimy and covered in filth, almost as if everything is covered in a layer of- oh, I said to myself. I took off my glasses and wiped them clean.
Suddenly, a hand caressed my shoulder. I turned around squealing, blinking in the faltering, not-so-filthy-anymore light.
“This coach has been disengaged sir, what are you still doing here?” said the man from the cleaning staff.
“Awaiting inspiration. What are you doing here?” said me.
“Well, I saw you here, alone, in this empty coach… sometimes men come here to… you know…” said the cleaning guy, implying me to be a gay, and perhaps propositioning me as well at the same time.
I exited the coach in a hurry. If inspiration can strike when you’re all alone pondering then it can just as well strike in a well-lit public place with lots of people around. I found a nice quiet bench (well in view of a nearby policeman) to continue my search for inspiration.
I stared at the mind-numbing fluorescent lighting, hoping for inspiration to strike before sleep, trying to remember what train I was supposed to be on in the first place, when suddenly! Another hand caressed me lustily on the shoulder,”Please, I’ll scream!” said I.
“I just wanted to ask if the place next to you was taken!” said the hot woman who the hand had belonged to (come to think of it, it was more of a tap than a lusty caress.)
“Oh, uh, yes of course,” I said, to her, “I mean no, no it’s not taken. Please have a seat” I fumbled awkwardly, “Make yourself at home, the place next to me has not been taken at all. Completely free, available, unattached. In fact I’ll hold it for you in case you need to go grab a snack or use the toilet or something,” I fumbled further.
“Um” she said, picking up her bags and moving away.
“No please, I’m fine, I mean, it’s fine, please” I said, motioning her to sit, taking her bags from her and placing them on the bench next to me, clutching them tightly thus making it clear that I am a decent sort of guy, and not someone she should be worried about sitting with on a strange railway platform in the middle of the night.
Seeing her bags in my hand, she sat down. We made minor chitchat - what her name is, where I went to school, where I went to study engineering, where I went to coaching for engineering, where I currently study MBA, what package I will be getting when I graduate, how I write because I have too much free time, and probably will have too much free time even after I get a job, what her name is again… she was a very interested person.
But then the conversation got really interesting. Something about that night - the cool night breeze, the many whistles and sounds coming from unseen places in the night, the buzz of the tubelights, the grease in the air - something about that night got us talking about the weather. And politics. And then what films I had seen recently, and whom among Aishwarya and Kareena I thought was hotter, and why how it was a shame Saif divorced Chameli…
I didn’t even realize but I had gotten a samosa while talking. She was still there waiting, my muse, eagerly asking me, “Will you please let go of my bag so I can leave?”
She looked at me, scowling in a very sexy way (everything she did was very sexy. Its hard not to be sexy when you had boobs as nice as hers. I know because I was admiring them while I was talking to her.) “You said you’re a writer, right? Why don’t you write all this shit down instead of giving me the live version?” she told me.
“Sure, yeah, I was actually hoping to get some inspiration out of you, anything to get my book started-“
“Look,” she interrupted, rudely, “If I told you a story, would you shut the fuck up and let me wait for my train in peace?”
“Can I make it into my next novel?” I asked earnestly.
“Whatever, just stop talking, God …” and then she proceeded to tell me the most mind-blowing, reality-questioning, stare-off-into-the-distance-thinking-deep-thoughts story I had ever heard (actually it was a pretty normal idea, but the delivery!)
I don’t actually remember much of it because about the time she started her dupatta shifted and I could see a little of her bra peeking up out of her suit and I sort of spaced out for a few minutes, but I remember being completely blown away by it. So blown away I didn’t even realize that she had got up and left. I saw that she hadn’t eaten the samosa I had gotten for her earlier.
She had left it for me.
I bit into it and found that it was just the perfect balance of crispiness, potato-tenderness and hotness, much like the girl earlier, except for the potato and crispy part.
I ate it and pondered her story (by that I mean her general upper chest area) and ate the samosa she had left for me and thought about the mysterious way she appeared and disappeared from my life and sat down and talked to me, which no one had done since that time I had the ‘accident’ at the film hall, and a strange, creepy feeling crept up on me… and made me feel strange. Such a perfect being, with so much compassion and kindness and ninja skills, must surely be God.
And this is a good enough premise to write a book on.
Or about. I’m not sure what the correct usage is here exactly.
read a book
wrote a joke
saw a film
got hope
took a bath
got a shave
hummed a tune
shook a leg
had a dream
sang a song
wrote a poem
held a note
choked a sob
ran around
lit up
shut down
thought a crime
did the time
broke a heart
used a line
fell to bed
shut away
another day
went my way.
awesomepeoplehangingouttogether:
Al Pacino and Christopher Walken
SRK is a video game designer, and his wife Kareena is leaving him, and taking their son with her. They’ve been separated for a while, and the divorce is almost done, the wife has been seeing Arjun Rampal in the meantime. Shahrukh vies for the son’s attention and spoils him, does a good job of buying his love, and meanwhile is a weedy little dick to the wife and Rampal. The kid doesn’t see it, as far as he is concerned, his dad’s a God.
In an attempt to not feel like a loser, and as a pathetic last-ditch attempt to put down the new husband (and to cement himself in his son’s eyes as a Hero) Shahrukh makes a video game with himself as the hero and Rampal as the villain. Meanwhile, while pretending to be supportive, Shahrukh tries to manipulate Rampal and Kareena into breaking up.
The film now keeps jumping from video game mechanics to stark reality - where Shahrukh gets deep into his video game fantasy, as he thinks he keeps ‘clearing each level’ to make it to the end (having his family back) and his son keeps clearing each level, the positive image he has of his father in his mind gone, completely, replaced only with the stone-faced sociopath G-one.
SRK, at the peak of his manipulations, ‘the final level’, almost has Rampal out of the picture, and Kareena back in his arms - the son though, has has enough. He makes the video game G-One committ suicide, so the not-all-that-bad Ra.One wins, and he pulls the plug on his ‘evil plans’ too. The wife finds conveniently placed evidence of how SRK manipulated the two, and Rampal shows up in the nick to kick his creepy ass.
The film ends with SRK waiting at the curb, nursing his wounds. His son sits with him, and they share a drink (something cute like root beer) and they discuss about all that happened. The son gives some wisdom to SRK, and in that moment, the two realize that they both have grown up.
This treatment is (c) copyright 2012 Adhiraj Singh BITCHEZZZ better start linin’ up with those film offers yo B)
Am I Doing This Right?
Wolf in sheep’s clothing
© Liz Climo